The geographic isolation of Himachal Pradesh has allowed its people to evolve their own unique tradition of handicrafts. The extensive range includes fine woodwork, traditional embroydory, engraved metalware, beautifully patterned carpets and traditional woollen shawls.


Shawls: Extremely fine and valuable shawls, made from the wool shed by the pashmina goat are popular in Himachal. These shawls are both plain and designed. The right mix of wool can give beautiful shades of grey, blue, mustard and black. Shawl in Kullu are often woven from the wool of angora rabbits. Borders in bright geometric design are also used to add interst to plain coloured shawls.

Carpets: Carpets and blankets are an essential part of Himachali furnishing, and carpets in brilliant colours are woven with a variety of traditional motfits. There are Garudas on flowering trees, dragons, swastikas, flutes to symbolize happiness and lotus blooms to mean purity. Carpets are wooven as furnishing, as carpets saddles for horses ans as blankets or chutkas. They are part of every bride's trousseau.

Metalcraft and Jewellery: Matalcraft is one of the traditional crafts of Himachal Pradesh. The more commonely used metals are silver and copper. The local craftsmanship in casting, ornamenting and engraving of silver has evolved into classic designs. The locally available items include carved silver lamp stands, tea pots, wine cups and metal sculpture. These follow indigenous shapes and are decorated with finally carved patterns depicting flora and fauna as well as stories from legends.

Wood Craft: The most abudant wood in Himachal's forests are the pine and deodar, besides walnut, horse chestnut and wild back mulberry. Intricately carved seats, doors, windows and panels are some examples of the dexterity of Himachal's craftsment. Fruit-bowls, beer mugs, wooden jewellery and carved images are part of their modern range of products.

Stone Craft: The Shivalik hills abound in fine sandstone which is eminently suited for carvingand has played a vital role in perpetuating the stone carvers craft. Numerous stone temples still dot the Himachal landscape.

Painting: Raja Sansar Chand, who ruled Kangra in the later half of the 18th century, a patron of the arts, contributed greatly to the evolution of this genre. His palaces at Nadaun, Sujanpur Tira and various temples in the area were ornamented with murals. Jewel - like miniatures of the period, depicting court life, episodes from the life of Krishna etc., painted in rich colours are still to be seen in museums in India and abroad.

In the remote valleys of  Lahaul and Spiti are ancient gompas-Buddhist monastries which form the focus of all cultural life in the area. Some of them, nearly a thousand years old, have exquisite painted murals, stuccos and thangkas.Fine thangkas-scroll paintings on canvas, edged with a border of rich silk, are still created here.
प्रदेश में जिला चंबा में कई प्रमुख दर्शनीय स्थल हैं, जो कि पर्यटकों के आकर्षण का केंद्र बने हुए हैं। जिला चंबा के मुख्य पर्यटक स्थल निम्न हैंः-
डलहौजीः डलहौजी समुद्र तल से 2039 मीटर की ऊंचाई पर स्थित है। लार्ड डलहौजी ने इसकी स्थापना की थी। यह चंबा का मुख्य पर्यटक स्थल है।
खजियारः खजियार समुद्र तल से 1851 मीटर ऊंचा है। इस स्थान पर देवदार और पाइन वृक्षों के घने जंगल हैं। यहां मैदान के मध्य भाग में झील है। इसे भारत का मिनी स्विट्जरलैंड भी कहा जाता है।
भरमौरः भरमौर की समुद्र तल से ऊंचाई 2215 मीटर है। भरमौर प्राचीनकाल में चंबा राज्य की राजधानी था। यहां पर प्राचीनकाल के 84 मंदिर स्थित हैं और कुछ मंदिर सातवीं शताब्दी के बने हैं।
मणिमहेशः मणिमहेश की समुद्र तल से ऊंचाई 4170 मीटर है। यह प्राचीनकाल के मंदिरों में से एक मंदिर है। यहां पवित्र झील स्थापित है, जो इस जिला की सबसे ऊंची झील है।
कुगतीः कुगती भरमौर का आखिरी आबाद गांव है। यहां से दो किलोमीटर दूर केलांग वजीर का मंदिर है। भरमौर से केलांग मार्ग पर कुगती दर्रा आता है।

Celebrations-marriages, the harvest, festivals, local fairs, social events are all occations for a spontaneous expressions of joy-a time when the cheerful hill people take time off from their labours to sing, dance and enjoy themselves. The lilt of the ballad fills the air and skirts swing to the rhythm.

The Naati of Kullu is a favourite dance where dancer link hands and move in steps to varying rhythms. Earlier danced only by the men attired in full splendour of their traditional costumes-swirling tunics and churidars sashes and decorated caps-the naati was an affair that lasted several hours. Today the women participate too and shorter version of the 13 style of the dance are performed.

Another group dance that is popular in thje state is Karthi, a kullu harvest dance performed in the open, in the light of an autumn moon. The Burah, a martial dance from Sirmaur, is performed with the waving  of Dangras or axes to the accompaniment of the hurki. Balads recounting heroic battles and deeds are sung. The exhilarating Birsu   and Ghugti from the upper Shimla hills are performed by the Khunds as they go to the local fairs. A martial people-they hold a sword, a dangra, a khukri or a handkerchief as they dance.

The nomadic Gaddis have a fine musical tradition too. Romantic ballads narrating the story of Kunju and Chanchlo, the Romeo and Juliet of Chamba valley, are sung late into the night as the men and women dance.



Kinnaur is famous for its folk dances-Kayang, where men and women dance in semi circle around the musians and the bonyangchu, a care free dance performed by the men. The bakayang danced by the beautifull Kinnauri women, resplendent in layers of silver jewellery, presents a splendid spectacle.

Fescinating masked dance dramas are also performed in the Jubbal and Rohru valley of Shimla known as sih and bura, they narrate stories and romantic and satiriecal themes that have been handed doen orally from generation to generation.


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